Early medieval England did not have the rich tradition of royal portraiture that existed among in the contemporary Byzantine, Ottonian, and Carolingian courts. Our earliest images outside of numismatics (coinage) date from the 10th c., and of those only a few are contemporary with the kings they sought to depict. But, as we shall see in this article, we are not entirely bereft and, as Anglo-Saxon rule gave way to the Normans and the Plantagenets, portraiture began to become more common and more sophisticated, with iconic images of Richard II, Henry V, and Richard III surviving to the modern day.
So today we are going to look at 10 royal portraits. Taking them chronologically, I will offer a brief interpretation of the image (they are invariably packed with political and religious allegory), and I hope that, alongside providing access to some amazing works of art, this will allow you to observe the evolution of royal portraiture over five centuries of English history. Continue reading The Image of the King – 10 Portraits from Medieval England
In 1146 Denmark descended into chaos and civil war upon the abdication of King Erik III (r. 1137 – 1146). He was the first Danish King to abdicate and, with no legitimate son to inherit the throne, the kingdom did not have the political stability to ensure a smooth succession. Sources written after the civil war, in the knowledge of the turmoil his departure created, judge Erik as a weak and short-sighted ruler. We however will not judge him too harshly. After abdicating Erik took himself off to a monastery and was dead within months – it seems likely he was incapacitated by illness, and it was this that forced him from the throne.
Enter Sweyn III, Cnut V, and Waldemar I. All three men were of direct descent within the Danish royal line, and each had the backing of a faction of the Danish elites as they sought to become sole king of Denmark. The support each enjoyed was legitimising and, in separate ceremonies, all three were crowned king – to this day, despite the fact that they ascended the throne in the same year and reigned concurrently, they are all considered Kings of Denmark. The status quo of three independent kings of Denmark lasted a decade, the kings variously allying or warring as they sought to gain control of the kingdom. Invariably it ended in treachery, at the infamous Blood Feast of Roskilde. The three men had arrived at an agreement to split the kingdom among themselves and met in celebration for a feast at Roskilde in 1157. By the end of the night one king would be a traitor, one would be a corpse, and one would be in exile. The youngest of these men, a noble son who would go on to become *spoiler* King Waldemar the Great, does not wish us to forget this injustice, the greatest treachery of the civil war. Continue reading A Traitor’s Banquet – The Blood Feast of Roskilde
The Germanic king or lord as the dispenser of treasure, the ‘giver of rings,’ is a familiar image. The reason it is familiar is that it permeates that famous Anglo-Saxon epic poem, Beowulf. In the opening lines of the poem, we are introduced to Scyld Scéfing, a man known for violence against his enemies, and his gifts of treasure to his friends, a man of whom the poet says þæt wæs gód cyning (that was a good king). His son in turn is a chip off the old Scyld and, no less vigorous in war or generous in his gifts, has the loyalty of his men, being praised as léofne þéoden, béaga bryttan (beloved prince, ring giver). Later in the poem, just as Beowulf himself is about to benefit from such kingly largesse at the court of Halfdan, a king of the Scylding line, Halfdan is referred to as sinc-gyfan (treasure/ring giver). All these terms are kennings – evocative poetic metaphors common to Old English and Old Norse poetry – and the Beowulf author is implying that gift giving and Kingship are the same thing. There were, of course, many other elements to cultural perceptions of successful kingship in the Anglo-Scandinavian world, but those are for a different day. In this article I am going to take the lead of the Beowulf poet and concentrate on the king as ‘giver of rings.’ Continue reading Kingship in the Viking Age – Icelandic Sagas, Anglo-Saxon Kings, & Warrior Poets
It is frequently claimed that the Anglo-Saxon King Æthelstan was the illegitimate son of King Edward the Elder and a concubine. This persistent rumour has become a part of Æthelstan’s mythos as the first King of England, but it is one with little historical support. The fact is, we know nothing definitive about the childhood of the rex totius Britanniae and, given his pivotal role in the tenth-century political transition of Anglo-Saxon England into a single kingdom, this is incredibly frustrating.
Continue reading Shrouded in Rumour – The Lost Childhood of King Æthelstan
As Alfred (r. 871 – 899) led the remnants of his gathered followers into the Somerset fens in 878, it was unlikely that the celebration of the death and resurrection of Christ was foremost among his concerns. The Viking force under the leadership of Guthrum had stealthily entered the Kingdom of Wessex during the winter and, surprising a likely de-militarised region (winter being outside the usual campaigning season), began to conquer the kingdom, forcing the inhabitants into hiding. Continue reading Easter in Athelney – King Alfred and the Great Viking Army
King Eadwig inherited the throne of Wessex in 955 at age fourteen. Like any fourteen year-old given unlimited power, he proceeded to live it up. In four short years on the throne he kicked out established court advisors, gave excessive gifts of land to followers, lost half his kingdom to his brother, married a girl that the archbishop subsequently told him he couldn’t marry, and famously escaped his own coronation to have a threesome with said girl … and her mother. Needless to say, Eadwig does not rank among the boy-king martyrs of England. But is all as it seems? Continue reading King Eadwig, St Dunstan, and the Ménage à Trois – Propaganda in the Anglo-Saxon Court