There are few women in late Anglo-Saxon England for whom we have as much information as Emma of Normandy. The wife of two kings, we find her name in charter witness lists, mentioned in chronicle entries and histories, and she also leaves to history the earliest biography of a secular English female political figure – the Encomium Emmae Reginae. That she commissioned it herself and that it is most often characterised as propagandist praise-narrative is, no doubt, problematic. But it remains a fascinating historical document that reveals glimpses of the events she operated within and sought to control and, perhaps more importantly, gives us a window into her political thought and strategies.
Now, my intent here was to write the marriage of King Cnut and Emma of Normandy in 1017. Historians tend to treat it with a somewhat casual acceptance, yet their marriage is somewhat surprising to the initiate in late Anglo-Saxon history. Emma’s first husband, King Æthelred II (the Unready), had died in London in April 1016, besieged in the city by the invading Cnut who sought to wrest the English crown from him. When Cnut ultimately did obtain the English kingship of his own right, the newly widowed Emma married him. Continue reading Queenship and Power: The Political Life of Emma of Normandy
This article is part of an ongoing series of short biographies of medieval scribes.
Scribe: Snorri Sturluson
Lived c. 1179 – 1241
Location: Reykholt, Iceland
Prose Edda – literary work, mythological narrative, and poetics guide
Heimskringla (History of the Norwegian Kings) – political chronicle
Egils saga (?) – Icelandic family saga/warrior-poet narrative
Of all the historians and scribes this series will be covering, there are few who will have such a prominent life outside of their written works than the Icelander Snorri Sturluson. He is almost certainly the only historian we will be covering with the political agency to directly disobey a king and be assassinated for his temerity. Unfortunately, Snorri’s own fascinating story and contentious political life is generally subordinated in the popular consciousness to his most famous work, the Prose Edda, a text simultaneously praised as our primary source for much of what we know of Old Norse mythology, and condemned refracting that mythology through the lens of Christianity. But to construe Snorri’s legacy as being the Prose Edda, and construe the Prose Edda as being a flawed recollection of pre-Christian belief, is more than a little reductionist and not really fair on either.
Continue reading A Scribe’s Life (3) – Snorri Sturluson
This article is part of an ongoing series of short biographies of medieval scribes.
Scribe: John of Worcester
Lived: c.1075 – 1140
Location: Worcester Priory
Notable works: Chronicon ex chronicis
John of Worcester was a contemporary of William of Malmesbury, Orderic Vitalis, and Henry of Huntingdon (among others) and, while it may be fair to say that his name is lesser known of this esteemed company, his Chronicon is an important and unique source of English history. John’s chronicle provides much in both content and approach to differentiate it from other contemporary histories, while at the same time being invaluable for the evidence it provides of inter-connected networks of scholarship in post-Conquest England. Naturally, the Chronicon finds its greatest direct historical value in its record of post-Conquest history, as this was the cultural milieu in which John operated. However, John was an excellent scholar and the work he did in compiling a history of Anglo-Saxon England from varied sources, grafting it to material relating to broader Western European history, is masterful. (Almost all the work I do with John’s Chronicon relates to pre-Conquest history). Yet for many, John’s name is more likely to evoke the spectre of an ongoing scholarly debate than it is a hard-working scribe and historian, a scholar thought of highly by Orderic, and a correspondent of William, with whom he exchanged sources. You see, until quite recently, the Chronicon was believed to be primarily the work of Florence of Worcester, based on this entry for the year 1118:
Dom Florence of Worcester, a monk of that monastery, died on the 7th July. His acute observation, and laborious and diligent studies have rendered this chronicle of chronicles [chronica ex chronicis] above all others. Continue reading A Scribe’s Life (2): John of Worcester
This is the first of an ongoing series of short biographies of medieval scribes.
Scribe: William of Malmesbury
Lived c. 1095 – 1143
Location: Malmesbury Abbey, England
Gesta regum Anglorum (Deeds of the English Kings) – political chronicle (449 – 1120)
Gesta pontificum Anglorum (Deeds of the English Bishops) – ecclesiastical chronicle (449 – 1120)
Historia Novella (The New History) – history of contemporary events (1126-1142)
Vita sancti Wulfstani (Life of Saint Wulfstan) – hagiography
De antiquitate Glastoniensis ecclesiae (The Early History of Glastonbury)
It is probably a little unfair to reduce William of Malmesbury to the role of ‘scribe’ or even ‘cleric.’ William was a scholar, an historian, an author and hagiographer, a competent linguist, reluctant politician, librarian and manuscript collector, and (to be a little cynical) something of a forger, propagandist, and historical revisionist. There are few historians and theologians from medieval England that have left such a broad corpus of material for us to examine, and none between Bede in the eight-century, and William in the twelfth. Continue reading A Scribe’s Life (1): William of Malmesbury
Early medieval England did not have the rich tradition of royal portraiture that existed among in the contemporary Byzantine, Ottonian, and Carolingian courts. Our earliest images outside of numismatics (coinage) date from the 10th c., and of those only a few are contemporary with the kings they sought to depict. But, as we shall see in this article, we are not entirely bereft and, as Anglo-Saxon rule gave way to the Normans and the Plantagenets, portraiture began to become more common and more sophisticated, with iconic images of Richard II, Henry V, and Richard III surviving to the modern day.
So today we are going to look at 10 royal portraits. Taking them chronologically, I will offer a brief interpretation of the image (they are invariably packed with political and religious allegory), and I hope that, alongside providing access to some amazing works of art, this will allow you to observe the evolution of royal portraiture over five centuries of English history. Continue reading The Image of the King – 10 Portraits from Medieval England
Riddled with spears, clinging to his faith, King Edmund of East Anglia was beheaded on 20 November 869 at the orders of Ivar Ragnarsson ‘the Boneless.’ Or at least that is what the tenth-century Passio Sancti Edmundi, Regis et Martyris of Abbo of Fleury would have us believe (note that I am using the Old English redaction of the text by Ælfric of Eynsham as my source). Unfortunately, as great as story as this is, it is just that, as story. The martyrdom of Edmund is an excellent example of late Anglo-Saxon hagiography and, particularly, of the cults of Anglo-Saxon Royal saints I have written about previously (Æthelberht of East Anglia, Kenelm of Mercia, Edward the Martyr). Yet there is something different about Edmund – Æthelberht, Kenelm, and Edward were all young kings, killed in their youth and innocence as a result of political machinations and their naivety. Though they do not suffer what is traditionally considered a martyr’s death – death in defence of their Christian faith – they are accorded a martyr’s death by virtue of their innocence. This ambiguity does not exist in Ælfric’s account of Edmund’s death. Edmund, according to Ælfric, tells Ivar’s messenger, who was sent to demand the capitulation of the East Anglian king: I will not defile my clean hands in your foul blood, because I follow Christ who sets us such an example; and I will happily be killed by you, if God ordains it so. Edmund intended to die a martyr’s death at the hands of the heathen vikings, and so he did. Continue reading Creating a Saint – King Edmund the Martyr & the Great Viking Army
It is frequently claimed that the Anglo-Saxon King Æthelstan was the illegitimate son of King Edward the Elder and a concubine. This persistent rumour has become a part of Æthelstan’s mythos as the first King of England, but it is one with little historical support. The fact is, we know nothing definitive about the childhood of the rex totius Britanniae and, given his pivotal role in the tenth-century political transition of Anglo-Saxon England into a single kingdom, this is incredibly frustrating.
Continue reading Shrouded in Rumour – The Lost Childhood of King Æthelstan