This article is part of an ongoing series of short biographies of medieval scribes.
Scribe: Saxo Grammaticus
Lived c. 1150 – 1220
Location: Lund, Denmark (modern Sweden/Scania)
Gesta Danorum – a history of Denmark from pre-history to the late 12th c.
Saxo Grammaticus was a Danish historian working at the same time as Snorri Sturluson (who we have already covered in this series). While his life was not the roller-coaster of political intrigue of Snorri’s, Saxo still hobnobbed with the elites and wrote history under some significant pressure from these patrons. Indeed, Saxo was in the employ of the archbishop of Lund, Absalon (apparently as his secretary according to Absalon’s will), and important enough to have appeared in a witness list on one of Absalon’s charters. Continue reading A Scribe’s Life (4): Saxo Grammaticus
This is the first of an ongoing series of short biographies of medieval scribes.
Scribe: William of Malmesbury
Lived c. 1095 – 1143
Location: Malmesbury Abbey, England
Gesta regum Anglorum (Deeds of the English Kings) – political chronicle (449 – 1120)
Gesta pontificum Anglorum (Deeds of the English Bishops) – ecclesiastical chronicle (449 – 1120)
Historia Novella (The New History) – history of contemporary events (1126-1142)
Vita sancti Wulfstani (Life of Saint Wulfstan) – hagiography
De antiquitate Glastoniensis ecclesiae (The Early History of Glastonbury)
It is probably a little unfair to reduce William of Malmesbury to the role of ‘scribe’ or even ‘cleric.’ William was a scholar, an historian, an author and hagiographer, a competent linguist, reluctant politician, librarian and manuscript collector, and (to be a little cynical) something of a forger, propagandist, and historical revisionist. There are few historians and theologians from medieval England that have left such a broad corpus of material for us to examine, and none between Bede in the eight-century, and William in the twelfth. Continue reading A Scribe’s Life (1): William of Malmesbury
Depicting the Norman Conquest of England, its causes, justifications, and political context, the Bayeux Tapestry is one of the most immediately recognisable, and most complex sources of European history. Importantly, granted the location of its conception, the overt concerns of the Tapestry’s narrative are the religious and political interests of Latin Christian Normandy in the late 11th century. However, it would be a mistake to characterise the Tapestry as mere Norman propaganda – the allegory, analogy and imagery used by the collaborators of the work have given it complexity beyond a simple chronology of events. It is this complexity I want to focus on today, with a particular interest in the authorship of the piece (in so doing I will, to a large degree, be treating the Tapestry as a historical document). Continue reading Art, Allegory, and the Authorship of the Bayeux Tapestry